Storyboard template, 4:3
Frames in the classic 4:3 academy-adjacent ratio, for archival formats, art projects and square-ish compositions.
Opens with these settings already loaded. Change anything you like, then download as PDF, PNG or SVG.
Where 4:3 still lives
It is the ratio of pre-2000s television, of most still photography from 35 mm era compacts, and of a persistent strand of contemporary music video and art film that uses it deliberately for its boxy, intimate quality. It is also the native ratio of many projectors and older slide decks.
Composing in a boxier frame
The narrower width changes what works. Two-shots are tighter and more confrontational. Landscapes need more vertical layering — foreground, middle, sky — because you cannot spread horizontally. Headroom becomes conspicuous much faster than it does in widescreen. Boarding in 4:3 rather than cropping later is the only way to feel this.
Two frames across
At two per row on Letter each frame is large enough to draw properly rather than sketch. If you are working out a whole sequence rather than individual compositions, print two sheets and lay them side by side — seeing eight to twelve frames at once is how you catch pacing problems.
Printing it accurately
This only measures correctly if your printer doesn't rescale the page. In the print dialog set Scale: 100% — not "Fit to page" or "Shrink oversized pages". If you're not sure it worked, print the calibration page, measure the ruler on it with a real ruler, and it will tell you exactly what your printer is doing to the page.